Can we take Sunday to watch Bob Ross? (2020) is a critique of the definition of meditation within the 21st century. This essay compares the relationship between what we constitute as meditation today to the trending video of Bob Ross painting, specifically looking at how did Bob Ross become a meditative phenomenon.
Site specificity of Performance Art within Singapore (2016) is an exploration on the significance of site-specificity in Amanda Heng’s Let’s Chat, Let’s Walk and Lee Wen’s Journey of A Yellow Man Performance Art series. It is an analysis of how changing localities, audiences, time and materials impact the reception of a Performance art piece.